Animation Style Guide
Overview
Sketch
Artist is a heavily character driven game with ample amounts of character
dialogue and acting, which gives the project a unique opportunity to delve far
deeper into traditional character animation than a typical game would need to
do. Because of the zany and outrageous nature of the characters being developed
for the game, our animations will be heavily influenced by the style of
animation developed by Tex Avery. “In cartoons you can do anything” is a line
often quoted of Avery, and his animation style is evidence of this belief.
Known for creating characters such as Daffy Duck, Egghead, Porky Pig and
Screwball Squirrel, Tex Avery’s style ignores the laws of physics in favor of
giving his characters the ability to move in whatever over-the-top manner suits
them. Most prominently, Avery’s animation style consists of gags in quick
succession, usually building upon each other and becoming more and more
outrageous as the animation continues. NorthWest Hounded Police an excellent
example of how Avery used gags on top of gags throughout his short films as
well as outrageously exaggerated character movements and lighting fast timing.
Stylistically, he’s known for using techniques like dry brush, smears and
multiples in his animation. Drybrush is used to simulate speed and in this
technique, paint is literally smeared on the cell to give the illusion of
extreme motion blur. Smears are a rapid motion in which the character is
distorted in the middle of the motion to create an extremely cartoony and
exaggerated motion. Multiples are used to show frantic action and are similar
to a smear, except multiple copies of the same body part are used in place of
distortion. Finally, Tex Avery often gave his character’s limbs a “rubber hose”
feeling as opposed to grounding them in reality with the appearance that they
had bones in their bodies. These over the top techniques will heavily influence
the animation style of Sketch Artist.
Northwest
Hounded Police
Tex Avery Northwest Hounded Police 1946 by werewolf1912
Defying
Physics
Dry Brush
Multiples
Hook Lady
The “Hook
Lady” character is one of the characters who will be interviewed by the sketch
artist, and her animations will be inspired by the old lady in “Red Hot Riding
Hood.” The Hook Lady is quirky and outrageous, and her motions will suggest
that she’s somewhat of an inappropriate “cougar” type. Her motions will be more
subdued than other characters due to her age and inability to perform
back-breaking contortions that would be plausible by younger characters.
Red Hot
Riding Hood
Captain Walters
Character
Description:
Before
joining the PPD, he was a decorated war hero who always showed great loyalty to
his country. Once he joined the police force, he quickly uncovered a conspiracy
tying the mayor and the police department to Don Carlo Escargo, which forced
him to make some tough decisions. In the end he remained loyal to the town he
swore to protect and revealed the conspiracy to the world. This resulted in the
jailing of many of the higher ups in the station and Walters jumped the ranks
all the way to captain.
Because
Captain Walters is a wise character who was capable of investigating and
uncovering a complicated conspiracy, and brave enough to expose it, his movements
will be inspired by Bugs Bunny. Bugs is as wacky as any other Tex Avery
character, but his motions always seem deliberate and he remains in control of
himself. Captain Walters is a leader, and for this reason he must remain in
control of himself while at the same time fitting into the outrageous world
around him, and for this reason bugs will be a heavy influence on Captain
Walters’ movements.
Bugs as
Maestro – over the top but in control
Don Carlo Escargo
Carlo
Escargo is the boss of the Plattsville mafia, but is actually a snaelien in
disguise. The snaelians are a secret alien race that disguise themselves as
humans to conduct business and create havoc on the town of Plattsville. Because
of Don Carlo Escargo’s secret status as a snaelien, Droopy Dog was chosen as
the inspiration behind his movements. Droopy is somewhat of an anomaly in the
Tex Avery world in the sense that he is very controlled in his movements and
its subdued by comparison to the lunatics around him. For this reason, he fits
will as the inspiration for Don Carlo because as a member of a secret alien
race masquerading as human, it would be logical that he would move in a manner
that is different from the other characters around him. His more controlled
body movements would also be logical for a character posing as a mob boss
because the controlled manner of motion becomes a symbolic extension of the
control he exerts on the underlings is his mafia operation.
Droopy Dog
Buck
Buck is a
member of the mafia serving under Don Carlo Escargo, and is a crass redneck
bumpkin with no sense of refinement. Because of this he and his comrades, the
country crew, are looked down upon by the other member of the mafia and have a
difficult time being taken seriously. Buck’s character movements will be
inspired by the Big Bad Wolf character that appears in “Red Hot Riding hood”
and “Northwest Hounded Police.” Wolf is the epitome of Tex Avery’s style, and
is as crass and unrefined as Buck, making him a logical choice.
Magician
The Magician
is a slippery villain hired by Don Carlo Escargo for his amazing ability to
change disguises and perform daring escapes with his feats of magic. He is
impeccably dressed, complete with handlebar mustache, and is never caught.
Daffy Duck, arguably one of the most over the top and outrageous characters in
the Tex Avery world, was chosen as the inspiration for the magician. Daffy’s
body defies the laws of nature by behaving in ways that can only be achieved
through a body devoid of bones and filled with magic, making him a worthy
inspiration for our slick magician.
Madame Sharpe
Madame
Sharpe is a tall French woman with an abnormal love of cheese, and a deadly
ability to wield knives. As a femme fatale her motions will be inspired by
Jessica Rabbit, a character who was inspired by Tex Avery’s “Red.” Jessica
Rabbit has Red’s sex appeal but moves in a slower, more deliberate way which
suits her status as a villain in control of her criminal enterprise.
Jessica
Rabbit
Technical Considerations
The Tex Avery style of animation will create unique challenges due to the nature of the rigging that the Sketch Artist team is exploring. Our current approach is to create a 3D rig using a 2D character image mapped to a flat plane. Because Avery’s style is so flamboyant with a heavy use of drybrush, smears, and multiples, we will need to explore ways to build the ability to accomplish these stylistic characteristics into our rigs. Because our animations will be static and not player controlled, we will have the ability to render them and this gives us the opportunity to manually create some effects, like drybrush, in post.
We are currently looking at South Park’s rigging style as a possibility to solve our specific aniation challenges. South Park uses 3D rigs for 2D characters, similar to what our team will need, and has set up their rigs to use replacement animation. With replacements, multiple versions of the same body part are created such as an open hand, a closed fist, and a finger point. At the appropriate keyframe, the hand is replaced with the drawing in the appropriate position. This technique of using replacement animation is also used in stop-motion films to give rigid puppets the ability to make facial expressions that would otherwise be impossible. We are currently exploring the possibility of using this technique to overcome some of the challenges that our rigs will present when trying to capture Tex Avery’s style in our animations. We will also have characters that will need to deform to achieve the “rubber hose” look that is characteristic of Avery’s style, so we will need to determine an appropriate resolution for our image files in order to accommodate the stretching without having pixilation occurring due to low resolution on the textures.
South Park Replacement animation Rig
Paranormal Smeared Faces replacement animation
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